{"version":"1.0","provider_name":"Ensemble Baroque ORFEO","provider_url":"https:\/\/ensembleorfeo.fr","title":"Eglise et op\u00e9ra : les liaisons dangereuses - Ensemble Baroque ORFEO","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Zei4kZ0Vea\"><a href=\"https:\/\/ensembleorfeo.fr\/index.php\/2019\/09\/14\/eglise-et-opera-les-liaisons-dangereuses\/\">Eglise et op\u00e9ra : les liaisons dangereuses<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ensembleorfeo.fr\/index.php\/2019\/09\/14\/eglise-et-opera-les-liaisons-dangereuses\/embed\/#?secret=Zei4kZ0Vea\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Eglise et op\u00e9ra : les liaisons dangereuses\u00a0\u00bb &#8212; Ensemble Baroque ORFEO\" data-secret=\"Zei4kZ0Vea\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ensembleorfeo.fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Au XVIII\u00b0 si\u00e8cle en France, la frivolit\u00e9 gagne m\u00eame les \u00e9glises et sur des orgues de plus en plus puissants et color\u00e9s (le Dom Bedos de Bordeaux par exemple), la musique des op\u00e9ras et ballets participe \u00e0 l\u2019office religieux.&nbsp; Apr\u00e8s Jean Gilles inspir\u00e9 par Lully, on entendra (c\u2019est une premi\u00e8re r\u00e9gionale) deux pi\u00e8ces anonymes en &hellip; Continuer la lecture de &laquo;&nbsp;&nbsp;&raquo;","thumbnail_url":"http:\/\/ensembleorfeo.fr\/wp-content\/uploads\/2018\/03\/separateur-60px-300x27.jpg"}